Blurb: Twenty-eight year old Katrina Jaitley is rebuilding her life after escaping an abusive boyfriend. The last thing she needs is the mystery she stumbles on during a bout of retail therapy. But she can't ignore the coil of film -- a piece of movie history -- she finds hidden inside her purchase. Unfortunately, Peter, the handsome host of the estate sale, disappears before Kat has a chance to return it to him. Curious, Kat watches the strip and is shocked to witness the brutal murder of a famous 1920's silent film star by a fellow actor. When a news article cites Kat as the film's owner, her already complicated life goes from bad to worse. Someone is stalking her. Are they trying to silence her or what she has discovered?
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An excerpt from The Silent Treatment
THE
WORST PART about working the vampire shift was that apart from Bridget, Kat
experienced little human interaction since moving back to Memphis. Bridget
still had college buddies who she went drinking and sleeping with, two activities
Kat thought better about participating in for the time being. That left Kat
stuck either in front of the computer or TV, or in extreme cases, at the twenty‐four
hour Walmart.
Solitude
in those first two weeks after two years of limited privacy was a welcome
relief in most respects. Kat left her belongings, however few, in the living
room and returned to find them where she left them, not thrown in the trash.
Her computer no longer had a keylogger, thanks to a few hours spent with
Bridgetʹs IT savvy brother, and she was free to search whatever she wanted
without fear of lecture afterward (Why were you looking at ticket prices?
Are you thinking of leaving me?), Kat couldnʹt shake the feeling that
someone was going to burst through the door. The baseball bat she kept under
her bed wouldnʹt help if someone startled her in the living room.
After
placing the Missed Connections ad online and praying Peter would respond, Kat
surfed the Internet until her eyes burned. Since her mind was on the coiled
piece of film sheʹd found and she desperately wanted to watch it, she focused
instead on silent movies, her favorite escape subject.
Her
interest began with a poor copy of Metropolis, recommended by a pen pal
as being the best thing heʹd ever watched. The release date put her off since
so many ʺclassicʺ movies her mom subjected her to involved fast‐talking
pictures from the thirties. Three years before the decade change, the constant
talkers were quiet, gestures theatrical, and Kat put her own inflection on the
written dialogue.
She
found a used copy of the novel on which Metropolis was based— written by
the directorʹs wife—to fill in the gaps left by massive editing and plot
restructuring that rendered the film nearly incomprehensible. Though historians
and buffs wanted to experience what the film looked like on opening night, one‐fourth
had either been lost or destroyed like so many of its silent brethren.
That
was what made the news article on the computer screen stand out.
The
complete three‐hour version of Metropolis was
found in an unlabeled canister in the Museo del Cine, a film museum in
Argentina.
Kat
blinked at the screen. ʺAll that time.ʺ The butchered, washed out copy that lay
buried somewhere in the box of movies sheʹd dragged to the middle of the living
room wasnʹt the end of the story but the beginning.
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